{"id":2880,"date":"2022-05-04T06:15:55","date_gmt":"2022-05-04T06:15:55","guid":{"rendered":"http:\/\/peykmagazine.com\/en\/?p=2880"},"modified":"2022-05-04T07:08:42","modified_gmt":"2022-05-04T07:08:42","slug":"the-san-diego-museum-of-art","status":"publish","type":"post","link":"http:\/\/peykmagazine.com\/en\/2022\/05\/04\/the-san-diego-museum-of-art\/","title":{"rendered":"The San Diego Museum of Art"},"content":{"rendered":"<h2 class=\"p1\">What\u2019s On this Spring at<span class=\"Apple-converted-space\"> \u00a0<\/span>The San Diego Museum of Art<\/h2>\n<p class=\"p3\">Ladan Akbarnia<\/p>\n<hr \/>\n<p class=\"p1\">Spring has sprung at The San Diego Museum of Art, with a rare opportunity to view a private collection of Impressionist paintings and an exciting new installation by contemporary artist Shadi Yousefian on loan from Advocartsy in the Museum\u2019s Arts of Iran gallery. The extraordinary works in <i>Monet to Matisse: Impressionist Masterpieces from the Bemberg Foundation<\/i> were collected by Georges Bemberg (1915\u20132011), the Argentine-French writer and pianist who bought his first painting\u2014a Pissarro\u2014while studying at Harvard University. The selection, which rarely leaves its permanent home in Toulouse, France, includes works by Paul C\u00e9zanne, Edgar Degas, Claude Monet, and Berthe Morisot, while Pierre Bonnard is represented by over fifteen remarkable examples. Impressionism, and the movements it inspired, such as Pointillism and Fauvism, paved the way for Modernism, as illustrated by the early works of Pablo Picasso and Henri Matisse in the exhibition.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2950\" src=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box3-251x375.jpg\" alt=\"\" width=\"251\" height=\"375\" srcset=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box3-251x375.jpg 251w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box3.jpg 461w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2949\" src=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box2-251x375.jpg\" alt=\"\" width=\"251\" height=\"375\" srcset=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box2-251x375.jpg 251w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-light-box2.jpg 461w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/p>\n<blockquote>\n<p class=\"p1\"><span style=\"color: #808080;\">Shadi Yousefian. <i>Fading Memories Negatives 2<\/i>,<span class=\"Apple-converted-space\">\u00a0<\/span><i>Lightbox 2<\/i>, and <i>Lightbox 4<\/i>, 2021. Original negative collages in lightbox. \u00a9Shadi Yousefian<br \/>\n<\/span><\/p>\n<\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2951 alignleft\" src=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-515x334.jpg\" alt=\"\" width=\"515\" height=\"334\" srcset=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-515x334.jpg 515w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-768x498.jpg 768w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian-800x520.jpg 800w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefian.jpg 900w\" sizes=\"auto, (max-width: 515px) 100vw, 515px\" \/><\/p>\n<p class=\"p1\"><span style=\"color: #808080;\">Shadi Yousefian. <i>Fading Memories 1<\/i>, Edition 2\/2, 2019. Archival prints of 20 individual negative collages. \u00a9Shadi Yousefian<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-2952\" src=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Shadi-yousefianMem2-473x375.jpg\" alt=\"\" width=\"512\" height=\"398\" \/><\/p>\n<p class=\"p1\"><i>Monet to Matisse <\/i>ends at the entrance to SDMA\u2019s Arts of Iran gallery, where visitors will be greeted with works of different media made in Iran and the Iranian diaspora over the last several centuries. Every 6-12 months, the Museum will feature new examples of Iranian contemporary art, some of them acquisitions to the permanent collection and others featured on loan. This spring, SDMA is delighted to feature three works from the <i>Fading Memories <\/i>series by San Francisco-based artist Shadi Yousefian. Yousefian\u2019s work addresses issues of loss, dislocation, cultural identity, and memory\u2014all of which stem from her personal experiences as an Iranian immigrant. Her artistic practice includes mixed media, combining photographic prints and other materials. In <i>Fading Memories<\/i>, the artist explores memory as both fragmented and willfully reclaimed. Cutting up negatives of old photographs collected from albums of family and friends, Yousefian then rearranges the fragmented strips into \u201cnegative collage\u201d prints. The destructive act of cutting negatives and detaching the pictured subjects from their original environments resembles the breaking down and distortion of memories of people, places, experiences, and attachments over time. The meticulous reconstruction of the strips into collaged prints, however, illustrates the power to reclaim fading memories and connections by rebuilding and re-viewing them.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2939\" src=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Monet-469x375.jpg\" alt=\"\" width=\"469\" height=\"375\" srcset=\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Monet-469x375.jpg 469w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Monet-768x614.jpg 768w, http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2022\/05\/Monet.jpg 900w\" sizes=\"auto, (max-width: 469px) 100vw, 469px\" \/><\/p>\n<blockquote>\n<p class=\"p1\"><span style=\"color: #808080;\">Claude Monet. <i>Boats on the Beach at Etretat<\/i>, 1883.Oil on canvas Bemberg Foundation. \u00a9Bemberg Foundation<\/span><\/p>\n<\/blockquote>\n<p class=\"p1\">On loan from the Los Angeles gallery Advocartsy, <i>Fading Memories <\/i>will be on display at SDMA through September 2022, while <i>Monet to Matisse<\/i> is on view until August 7, 2022. Please visit <span class=\"s1\">www.sdmart.org<\/span> for times and tickets.<\/p>\n<hr \/>\n<p class=\"p1\"><span style=\"color: #808080;\">Ladan Akbarnia, PhD, is curator of South Asian and Islamic Arts at San Diego Museum of Art.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What\u2019s On this Spring at \u00a0The San Diego Museum of Art Ladan Akbarnia Spring has sprung at The San Diego Museum of Art, with a rare opportunity to view a private collection of Impressionist paintings and an exciting new installation by contemporary artist Shadi Yousefian on loan from Advocartsy in the Museum\u2019s Arts of Iran<\/p>\n","protected":false},"author":2,"featured_media":2865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"two_page_speed":[],"footnotes":""},"categories":[56,73],"tags":[],"class_list":["post-2880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-culture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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