Maral Taheri<\/span>\u2019s verse. Hussaini and Taheri will be awarded $10,000 and $5,000, respectively, while the selection of Taheri\u2019s work will be published by\u00a0Deep Vellum\u00a0in 2026. We congratulate both of them on this recognition and wish them continued success.<\/p>\nThe judges describe why Taheri\u2019s poetry finds such a compelling home in Hussaini\u2019s English translations:<\/p>\n
The poetry of Maral Taheri is provocative and disquieting\u2014in the very best of ways. It inspires surrender, then kaleidoscopically enthralls. There is an undeniable urgency to Taheri\u2019s poetic voice, her truths, and the way she tells them, with uncanny juxtapositions of love, sex, scripture, war, and other kinds of violence. Her translator, Hajar Hussaini, describes her work\u2014unpublishable both in Iran and Afghanistan\u2014as raw, \u2018defiantly feminine\u2019, and piercingly intelligent. Hussaini\u2019s remarkable translations echo these qualities. They also betray a deep kinship with their poet, an intimate, almost intrinsic, familiarity with her experience and expression. In Hussaini\u2019s agile renderings, Taheri\u2019s verses cascade down the page, each one building upon, breaking down, and bounding off the last. The rhythm continues to reverberate long after you stop reading. The effect is nothing short of tremendous.<\/i><\/p>\n
MELC received forty varied and exciting submissions from around the world, all focused on Persian poetry. This is twice as many as the number of proposals we received for the inaugural cycle last year which shows the steady growth of this prize. The Department of Middle Eastern Languages and Cultures thanks the\u00a0Mo Habib Memorial Foundation<\/span>\u00a0for making this initiative possible and to the judges who carefully read and discussed the submissions.<\/p>\nThe judges have identified two projects that merit honorable mention: Ashkaan Kashani\u2019s proposal to translate Nima Yushij and Dr. Jane Mikkelson\u2019s selection of 17th-century lyric poetry. They write:<\/p>\n
Iran\u2019s first modernist poet,\u00a0<\/i>Nima Yushij<\/i><\/b>, is still an elusive figure in today\u2019s international reception of Persian literature. With his linguistically rigorous yet creatively subversive approach to translation,\u00a0<\/i>Ashkaan Kashani<\/i><\/b>\u00a0promises to revive Nima\u2019s experimental rhythms and imagery in exciting new forms in a project poised to revolutionize our understanding of the lyric aesthetics that dominated 20th-century Iran. Kashani\u2019s renditions go far, in the most musically convincing of ways, while submitting to the ineffable beauty of Nima\u2019s innovations and sensitively piercing the original texts with care and attention.<\/i><\/p>\n
Dr. Jane Mikkelson<\/i><\/b>\u2019s translations of 17th-century Persian lyric poetry are a paragon of elegance and precision. Her perfectly chiseled renditions in English verse reveal the Translator\u2019s profound knowledge of this little-studied and often misunderstood literary corpus. Without flattening the philosophical complexity and stylistic intricacy of the original texts, Jane Mikkelson makes them legible to contemporary readers in surprisingly enchanting ways.\u00a0<\/i><\/p>\n
In recognizing the outstanding value of their translations, the judges encourage Kashani and Mikkelson to continue working on their brilliant projects. MELC is grateful to the\u00a0Mo Habib Memorial Foundation<\/span>\u00a0for making this initiative possible and the judges spent a great deal of time reading and deliberating among themselves. We look forward to working with Ms. Hussaini and Deep Vellum to ensure a bilingual selection of Maral Taheri\u2019s poetry will soon be in the hands of English-language readers and listeners in print and audio book formats. The third cycle of the Mo Habib Translation Prize will be announced in September.<\/p>\nThe Mo Habib Memorial Foundation celebrates the life and legacy of Mohammad Habib by supporting education, culture, and the arts in the Pacific Northwest and beyond. Born in Tehran in 1952, he moved to the U.S. in 1970 to attend college, eventually obtaining his B.S. and M.S. in Engineering and Construction Management from the University of Washington. For forty years, he worked as a project manager and structural engineer. Mohammad is survived by his wife, Superior Court Judge Susan Amini, and his son, Cyrus Habib, who served as the state\u2019s sixteenth Lieutenant Governor prior to leaving public life to become a Jesuit.<\/p>\n
Founded in 2013 in Dallas, Texas, Deep Vellum’s mission is to bring the world into conversation through literature. In its first five years, Deep Vellum published 90 works in translation by international writers and hosted dozens of literary events for Dallas residents.<\/p>\n
\u2014—————————————————————————-<\/p>\n
In 2022, the Department of Middle Eastern Languages and Cultures at the University of Washington in Seattle launched the Mo Habib Translation Prize in Persian Literature. This prize has been established in partnership with the <\/i>Mo Habib Memorial Foundation<\/i><\/span> and <\/i>Deep Vellum Press <\/i><\/span>to enable the publication and dissemination of Persian literary works that stand on their own in engaging English translation. <\/i><\/p>\nThe initiative seeks to expand the readership of Persian literature in English, beyond academic audiences already with an interest in Persian speaking societies and communities. The winner of the inaugural cycle, announced last year, is Dr. Michelle Quay for translating the novel <\/i>Woodwind Harmony in the Nighttime (Hamnava\u2019i-ye shabaneh-ye orkestr-e chubha) by Reza Ghassemi. The novel will be published in English next year by Deep Vellum.<\/i><\/p>\n
Aria Fani, PhD, Assistant Professor at UW<\/i><\/p>\n![\"\"](\"http:\/\/peykmagazine.com\/en\/wp-content\/uploads\/2024\/07\/Maral-taheri.jpg\")
<\/span>Asylum Seeker<\/span> <\/b><\/h2>\nMaral Taheri<\/b><\/p>\n
translated from the Persian\u00a0by\u00a0<\/i>Hajar Hussaini<\/i><\/span><\/p>\nI should have recited this poem before you fell to the ground
\nbefore the heart discarded October pomegranates in Tehran
\nbefore blowing our hair in the streets
\nbecause the audience\u2019s authority rendered our bodies impartial
\nand it\u2019s not nighttime on our side
\non our side, there was a creature scattering salt on our blood current\u00a0<\/span>
\nand we had disputed our blood
\nwe had disputed our soil
\nand we had paid our taxes off our veins to the passport police
\nwe abandoned our bodies faster than a shrapnel
\nreturn to the blood!
\nreturn to your skin
\nwhich is devoid of memory
\nto the traces of your silver flakes in the streams of Tajrish
\nreturn to the language!
\nto its abrasion with the sharpness of a paper\u2019s edge and nipple
\nexpel your suppressing cells
\nthrough your tongue
\nexpel your bare being
\nthrough your tongue
\nexpel your alphabet\u2019s clinical infection
\nthrough your tongue
\nexpel the lingering lipstick on splinters of meaning
\nthrough your tongue
\nexpel the pinkish vomit in the refugee camp
\nthrough your tongue
\ninsert your head into your belly, then expel your unholy human
\nthrough your tongue
\nexpel your socialist receipts
\nthrough your tongue
\nexpel the clock set on your four different geographies
\nthrough your tongue
\nexpel the reflection of the knife as you\u2019re flaking your skin
\nthrough your tongue
\nexpel the resemblances of others\u2019 words in your own poems
\nthrough your tongue
\nexpel your scheduled appointments with the bank, with Pr\u00e9fecture, and your lawyer
\nthrough your tongue
\nexpel your blood on the corner of the public bathroom stall
\nthrough your tongue
\nreturn to the blood
\nfor its permissible and auspicious
\nand don\u2019t remember any one person
\ndo not remember them
\nbecause lips have their own means of forgetting
\nan asylum seeker knows roasting hunted meat is more pleasant
\nhow can an asylum seeker forget about having been kissed
\nher smile emerges from a frightening darkroom of individual deaths
\nhowever much it\u2019s idiosyncratic, it\u2019s public
\nI should have recited this poem before I fell to the ground
\nI have pinned collective suffering, and it hangs on my chest
\nI told the Arab man about the signs of heat in the collarbone he had touched
\nI called my body homeland and told the Romanian man about the silver flakes, how they can\u2019t keep you warm
\nhe threw his spear into the pond in the middle of the square to save his mother from her bedsore
\nat the time, we were holding onto the vegetable vessels of Italy
\nthen to the fish\u2019s mouth I said I have given ten more births than your mother
\nand I sank into my ashen blank skin
\nand I sank into my ashen blank tongue
\nthe rain was not equal on all floors
\nthe Ukrainian woman opened her umbrella
\nblack people started dancing in a circle
\nthe Arab people also danced
\nI sank into my ashen skin to the point
\nthe sun brought me blood from the sliced streets
\nand the man, behind the desk, with a romantic French accent, kept whispering
\ngo back to blood
\nbecause it\u2019s permissible and auspicious<\/p>\n","protected":false},"excerpt":{"rendered":"University of Washington, Department of Middle Eastern Languages and Cultures (MELC) Hajar Hussaini Wins Mo Habib Translation Prize in Persian Poetry The Department of Middle Eastern Languages and Cultures reports with great enthusiasm that\u00a0Hajar Hussaini\u00a0has won the second cycle of the Mo Habib Translation Prize in Persian Literature for her translations of\u00a0Maral Taheri\u2019s verse. Hussaini<\/p>\n","protected":false},"author":2,"featured_media":4103,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"two_page_speed":[],"footnotes":""},"categories":[56,73],"tags":[],"class_list":["post-4119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-culture"],"yoast_head":"\n
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Hajar Hussaini Wins Mo Habib Translation Prize in Persian Poetry<\/span><\/b><\/h3>\n